A program of your favourite Opera Excerpts with NB’s favourite Opera Stars.
Sally Dibblee (soprano) and Paul Bustin (baritone) with Maestro Michael Newnham.
November 13, 2017
Moncton: Capitol Theatre
November 14, 2017
Fredericton: The Playhouse
November 15, 2017
Saint John: Imperial Theatre
Bravo series concerts are preceded by a pre-concert talk at 6:30pm. Performance begins at 7:30pm.
The November Concert features two of New Brunswick’s favourite opera talents. Join Sally Dibblee and Paul Bustin for an evening of Opera focused on two of the most well known and loved operas, The Marriage of Figaro and Madam Butterfly, directed by SNB’s Maestro Michael Newnham.
Paul Bustin, baritone
His performances have been featured in broadcasts on CBC Radio, Radio Canada as well as National Public Radio (NPR) in the United States and he has been a featured performer on stages in St Louis, Indianapolis, Knoxville, Bloomington and Toronto as well as the Maritimes.
“Mr. Bustin posseses an impressive, resonant baritone voice of wide range and outstanding flexibility. He is a convincing operatic interpreter and artist”.
Recent symphonic performances include: Requiem, W.A. Mozart; The Seasons, Haydn; The Messiah, G.F Handel; A God Disguised Larsson; Requiem, Liszt; The Ninth Symphony, L.V. Beethoven and the German Requiem, Brahms.
Mr. Bustin performed in May, 2008 at the Vatican in Rome as well as St. Peter’s Basilica as guest Soloist of the Choeur Neil Michaud. After Rome, Paul and the all-Acadian Male Choir continued their European tour with performances in Parma, Milan, Genoa, Nice, Provence and Barcelona, Spain.
Mr. Bustin began vocal studies at Mount Allison University and later received a scholarship to study with the Opera Department at Indiana University. Operatic roles include: “Golaud” in Debussy’s Pelleas et Melisande; “Zuniga” in Bizet’s Carmen; “Leandre” in Prokofiev’s L’amour des Trois Oranges; “Baron” in Verdi’s La Traviata as well as both “Angelotti” and the “Sacristan” in Puccini’s Tosca.
Mr. Bustin has been a featured soloist with The Knoxville Symphony and Indianapolis Opera and was heard on National Public Radio (NPR) when he created the role of “Enrico Fermi” in The Woman at Otowi Crossing with Opera Theater of Saint Louis.
Critically acclaimed as a “tour-de-force of vocal control and expressive flexibility”, soprano Sally Dibblee has enjoyed a career of 20 years in opera houses and concert halls throughout North America. Born in Woodstock, New Brunswick Ms. Dibblee now lives in Fredericton with her husband and 2 sons. She graduated with a Bachelor of Music from Mount Allison University and received a Diploma in Operatic Studies from the University of Toronto, where she studied with the wonderful Canadian soprano Lois Marshall. She was a member of the Opera Ensemble of the Canadian Opera Company and had her mainstage debuts with the COC in the roles of Lauretta in Gianni Schicchi and Musetta in La Boheme.
Having prepared and performed over 30 opera roles and an extensive repertoire of concert works, Ms. Dibblee brings to her teaching studio a methodology grounded in years of applied healthy singing technique. She has sung principal roles in most of the major opera houses in Canada and in California, Utah, Arizona and Kentucky. She has performed as guest soloist with the Toronto and Edmonton Symphony Orchestras, Calgary Philharmonic, and with the Orquesta Sinfonica de Mineria in Mexico. Performance highlights include many of opera great prima donnas – Mimi from Puccini’s La Boheme, Desdemona from Verdi’s Otello, Lucia from Donizetti’s Lucia di Lammermoor, and Violetta from Verdi’s La Traviata, the Canadian premiere of Pat Nixon from John Adams Nixon in China and the world premiere of Randolph Peters’ Nosferatu, and soprano soloist in the Verdi Requiem, Mozart Requiem, Orff’s Carmina Burana. Upcoming is the Canadian premiere of Silent Night by Kevin Puts.
She is an active adjudicator in the Maritimes both at regional and provincial levels and gives frequent vocal masterclasses across Canada. Sally is very pleased and proud to be a faculty member of her alma mater.
Ms. Dibblee is featured on an ECMA 2007 nominated disc with the Saint John String Quartet and on Le Souvenir, Canadian Songs for Parlour and Stage with acclaimed baritone Russell Braun.
The Marriage of Figaro K. 492, is an opera buffa (comic opera) in four acts composed in 1786 by Wolfgang Amadeus Mozart with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera’s libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée ou le Mariage de Figaro (“The Mad Day, or The Marriage of Figaro”), which was first performed in 1784. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Madama Butterfly is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Guiseppe Giacosa.
It is based on the short story “Madame Butterfly” (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel Madame Chrysantheme by Pierre Loti. Long’s version was dramatized by David Belasco as the one-act play Madame Butterfly: A Tragedy of Japan, which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year